There was a Young Person of Janina

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Monasteries, they got ’em.  Mostly over that way.

October 11, 2017

Our trip to northern Greece hosted by the wonderful Craig and Sue continued with a visit to the Byzantine city of Ioannina.  The city’s foundation has traditionally been ascribed to the Byzantine Emperor Justinian in the 6th century AD.   Ioannina flourished in the late Byzantine period (13th–15th centuries). Part of the Despotate of Epirus following the Fourth Crusade, many wealthy Byzantine families fled there following the sack of Constantinople, and the city experienced great prosperity and considerable autonomy, despite the political turmoil.  It surrendered to the Ottomans in 1430. Between 1430 and 1868 the city was the administrative center of the Pashalik of Yanina. In the period between the 18th and 19th centuries, the city was a major center of the modern Greek Enlightenment. Ioannina joined Greece in 1913 following the Balkan Wars.

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By Lake Ioannina, in front of the mosque
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Shortly before the assassination attempt

The thing to do when you’re in Ioannina is to take a boat to the island, where you can see Ali Pasha’s house.

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Ali Pasha’s house

Ali Pasha (1740 – 24 January 1822), often referred to as the Lion of Yannina, first came to notice as a brigand, finally as an Ottoman Albanian ruler.

Ali Pasha

His diplomatic and administrative skills, his interest in modernist ideas and concepts, his popular piety, his religious neutrality, his suppression of banditry, his vengefulness and harshness in imposing law and order, and his looting practices towards persons and communities in order to increase his proceeds caused both the admiration and the criticism of his contemporaries, as well as an ongoing controversy among historians regarding his personality. Finally falling foul of the Ottoman central government, Ali Pasha was declared a rebel in 1820, and was killed in 1822, aged over 80.  Quite a character.

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Actually he was only wounded through these cracks. His attackers then pursued and beheaded him, so they could present his head to the Sultan. Small decapitation theme emerging here.
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Lord Byron enjoyed meeting the Pasha

Byron described the Pasha in a letter to his mother: “His highness is sixty years old, very fat and not tall, but with a fine face, light blue eyes and a white beard; his manner is very kind and at the same time he possesses that dignity which is universal among the Turks. He has the appearance of anything but his real character; for he is a remorseless tyrant, guilty of the most horrible cruelties, very brave, and so good a general that they call him the Mohametan Buonaparte.”

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The Sultan – arguably portrayed as the bad guy here – receives the head of Ali Pasha
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Is this an original Edward Lear? If so it’s given far too little prominence in the museum.

Probably a print, in fact:

What of the re-enactment, you ask.  Er, don’t you?  Fear not, we didn’t forget.

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Honoured to feature Sue and her “propitious” “uncle” Craig, although for my money she’s slightly underplaying it. Head still very much attached.

2 responses to “There was a Young Person of Janina”

  1. There was a Young Person whose History | The Edward Lear trail Avatar

    […] Young in spirit, and to be fair there is no Mystery about her History. Remember, for example, the a Young Person of Janina? So, come in Athens…Hi Sue, are you […]

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  2. Rik Avatar
    Rik

    PS: in 2020 I was in contact with Rowena Fowler who was able to supply this information about the picture on display in the Ali Pasha house. It is by Lear!

    “Thank you for your email; I have enjoyed your EL Trail!
    Stephen wrote to you after he and I discussed the painting you saw. Then I suddenly remembered having seen it in an odd book that seems only to exist in .pdf on the internet (in Greek) called Edward Lear: Drawing [word also means painting] Epirus. It’s in sections but if you go forward to the section called Ο ληρ στα Ιωάννινα you’ll see your picture, described as “oil on canvas” 40 X 60cm and in a private collection. He says it’s based on a sketch of 22 March 1857. I think “oil on canvas” is unlikely, as it looks more like a finished studio watercolour–these often have the EL monogram.
    The author is Anastasios Papastravos and I think he may be the owner. He was involved in the the Lear exhibition held in Ioannina in 2014.”

    Thanks Rowena!

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